Sourabh Gupta

Sourabh Gupta’s multidisciplinary artistry seamlessly bridges paper botanicals, architecture, and design, blending lifelike precision with innovative material explorations and a deeply rooted passion for creation.

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A glance through designer Sourabh Gupta’s works reveals his expertise in paper botanicals, as delicate as they are lifelike. What truly defines his artistic oeuvre, however, is his ability to navigate fluidly across art, design, and architecture. For Sourabh, the medium may evolve, but the one constant in his work is his unwavering passion to create. His childhood fascination with how things are made—from crafting a potter’s wheel out of an old bike to creating functional tools from materials at hand—has led him to embrace the role of a multidisciplinary designer. Though his formal education is rooted in architecture at institutions such as Parsons School of Design, memories of creating with arbitrary materials continue to influence his approach to design today. This mindset informs his ever-evolving practice, where the delicate artistry of paper sculptures intersects with new explorations in materials like metal, porcelain, earth, wood, and leather. The expanded studio space has given him the freedom to experiment, allowing his work to grow in both scale and substance while seamlessly blending functional and decorative elements. His diverse portfolio includes designing sustainable, earthquake-resistant housing in Nepal, creating booth and cloud lighting fixtures for DIFFA (Design Industries Foundation Fighting AIDS), and reimagining the Statue of Liberty with just New York Times paper. Yet, his hyperrealistic paper flowers, so meticulously crafted they could deceive the eye, have garnered notable features in publications like Architectural Digest, Elle India, and The New York Times. The artist replicates the intricate venation of petals and leaves with spectacular precision—a skill that led Tory Burch to commission 300 paper flowers for the designer’s 2019 Met Gala outfit. Despite receiving full scholarships, 21 awards at national and international levels, and training with prominent architects like Rafiq Azam and Kevin Mark Low, what elevates Sourabh’s work is his ability to resonate as a self-taught artist. His creations, however, exude the finesse of one who has undergone rigorous formal training. Currently, as a new studio takes shape, Sourabh is expanding the vision of his practice with exciting new collaborations and a fresh creative direction—especially through his evolving use of materials and the development of a darker, moodier aesthetic.

Sourabh speaks to Blur The Border :


Blur : How has your background in architecture influenced your work as an artist and the way you approach different tools and mediums?

Sourabh : My background in architecture has profoundly influenced my artistic practice, particularly in my understanding of space, structure, and materiality. The principles I learned in architecture—such as proportion, balance, and harmony—inform my approach to creating lifelike botanical sculptures. This training enables me to consider how my works interact with their environments, both in terms of physical space and visual context.

When working with various tools and mediums, I find that my architectural sensibilities guide my choices. For instance, the meticulousness required in architectural design translates well into my sculpture-making process, where precision and attention to detail are paramount. Furthermore, my training has encouraged me to explore a wide array of materials, allowing me to push boundaries and incorporate elements from different disciplines, such as ceramics and metalwork.


Blur : As a multidisciplinary artist, what usually comes first for you: the concept or the medium? And what inspired you to explore such a variety of materials?

Sourabh : In my practice, the concept often takes precedence, particularly the emotions and narratives I wish to convey. I start with an idea or a feeling inspired by nature, memory, or observation. However, the medium I choose can significantly shape the final outcome, often leading to a dialogue between the concept and the material. For example, when I explore the delicate intricacies of a flower, I may choose paper for its lightness or ceramics for its permanence, depending on what best expresses the essence of the piece.

The inspiration to explore a variety of materials stems from my early experiences with a very limited access to tools, art supplies, and resourcefulness in my small town. Growing up, I learned to value the inherent qualities of different materials, whether found in nature or discarded objects. This foundational perspective drives my curiosity to experiment with leather, metal, paper, wood, and more, each bringing its own unique character and potential to my work.


Blur : You work with diverse materials like leather, metal, paper, and wood. What common thread connects your work across these mediums, and are there any new materials you’re eager to experiment with?

Sourabh : The common thread that unites my work across various mediums is the immense curiosity and exploration of the world around me, and the things I have seen and the things I dream of. Regardless of the material, I aim to evoke the beauty and complexity of the natural world. Each medium allows me to express these themes in different ways, whether through the softness of leather, the strength of metal, the fragility of paper, or the warmth of wood. I am particularly eager to experiment with new materials like ceramics, metals, and reclaimed materials, as they present exciting opportunities for innovation and sustainability. I believe that integrating these materials can deepen the narrative of my work, reflecting the interplay between nature and contemporary issues such as environmental sustainability.


Blur : How does the environment impact your work and fuel your creativity?

Sourabh : The environment plays a crucial role in fueling my creativity. Living in Brooklyn, with its vibrant artistic community and urban landscape, provides constant inspiration. The juxtaposition of natural and man-made elements encourages me to explore how they coexist. Additionally, my memories of the natural landscapes of my childhood in Hiranagar serve as a wellspring of ideas, reminding me of the beauty and resilience found in nature. I often find that the changing seasons and the elements around me can shift my perspective and inspire new ideas. Whether it’s the colors of autumn leaves or visits to unexplored places, these environmental changes profoundly influence my work, driving me to capture and reinterpret these moments through my sculptures


Blur : Do you have any specific process, habits, or rituals that help you get into a creative mindset?

Sourabh : To cultivate opportunities and an ever growing curiosity. I often take walks in nature or urban environments, soaking in the details around me—shapes, colors, and textures—that later inform my work.

In my studio, I maintain an organized yet flexible workspace that encourages exploration and experimentation. I also set aside dedicated time for both structured exploration and unobstructed play with materials. This kind of approach allows me to be intentional about my projects while also welcoming spontaneity, which often leads to unexpected discoveries.


Blur : You have collaborated with prominent names since the beginning of your career, how do you balance adapting to their design language with maintaining your unique creative voice?

Sourabh : Collaborating with prominent names is an enriching experience that challenges me to adapt my design language. I approach each collaboration with an open mind, seeking to understand the essence of my collaborator's vision and how it can intersect with my own.

To maintain my unique voice, I ensure that my perspective has a chance to accompany the aspects of the project. This often means finding common ground where my interests align with my collaborator’s vision. I view collaboration as a conversation rather than a compromise, allowing me to bring my botanical sensibilities into the mix while respecting the design language of my partner


Blur : How do you manage the balance between the creative and practical sides of being a professional artist?

Sourabh : Balancing the creative and practical aspects of being a professional artist is an ongoing challenge. I strive to approach my work with a mindset that embraces both creativity and practicality. Planning is essential, especially when managing projects, deadlines, and materials, but I also prioritize flexibility in my creative process. I maintain a routine that includes dedicated creative time alongside administrative tasks. This structure allows me to stay grounded while giving me the freedom to explore my artistic impulses. I also find that collaboration with others often helps bridge the gap between the creative and practical, as different perspectives can illuminate new solutions and pathways.


Blur : If you were to collaborate with other artists, outside of your discipline, what is one collaboration you would love to do?

Sourabh : I am passionate about the idea of collaborating with artists from various disciplines, especially those whose work intersects with nature, technology, or community engagement. One particular collaboration I envision is with a musician, sound artist, or mechanic, creating an immersive installation that combines botanical sculptures with soundscapes, something adventurous. This collaboration could explore the symbiotic relationship between visual and auditory elements, inviting the audience to engage with the artwork on multiple sensory levels. I believe that by merging these disciplines, we could create an experience that resonates deeply with viewers, encouraging them to reflect on their connection to the natural world and the creative process itself.

Know more about Sourabh:

Website: https://sourabhguptadesign.com/

Instagram: @sourabh_gupta_design

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