In his works, photographer and art director Vansh Virmani lends wings to his thoughts and brings to life the often unseen and overlooked observations. He spins a compelling tale with an uncanny knack for capturing his subjects' expressions as they seamlessly blend with their surroundings. Throughout his life, Vansh has been a keen observer and his journey began with an accidental love affair with photography - that eventually transformed into a passion. While it immerses him in the comforting familiarity of home, Vansh continues to observe the many facets of its composition. He is particularly inspired by the beauty in its interpretations – of how it means different things to different people. One of his personal projects titled ‘People of Bandra’ is composed amidst the catholic population thriving in 100-year-old buildings. Its dilapidated structure, artifacts, and Portuguese architecture combine with the brilliance of Vansh’s imagery and evoke a feeling of nostalgia. His ongoing 'Love in Metro' series displays a charming juxtaposition as lovers softly submit to each other – through holding hands and embracing - among the hustle and bustle of the city's metro system. On the other end of the spectrum are Vansh’s commercially driven photographs and visual series–directed and shot for brands like Ritu Kumar, Good Earth, Torani, Rahul Mishra, Nappa Dori, and Nicobar, amongst a few. Steering these experiences and merits to his name, Vansh’s specialty ultimately emerges from the dichotomy between his personal photojournalistic works which are often pensive and editorial projects that are visually stunning and illuminated.